[Must-See for Recording in a Room] Two Biggest Enemies Easily Overlooked by Independent Musicians: Noise and Reflected Sound

If you have just bought a microphone, an audio interface, and headphones, and are about to record your first song in your room, congratulations! This is definitely one of the most exciting moments in your creative journey.

But before you press the record button, there are two 'invisible enemies' you must tackle first:

  • Noise

  • Reflections

If these two issues are ignored, no matter how well you sing or how expensive your equipment is, the final sound quality will still be greatly compromised.


1. Noise: More might be recorded than you think

Noise is the most commonly overlooked trap in room recording. Common sources include:

  • The sound of traffic outside the window, street noise

  • The continuous operation sounds of air conditioners, electric fans, and computer fans

  • The sound of moving accessories on the singer or the rustling of paper lyrics

These sounds seem small, do they really need special attention?

Do not underestimate these subtle noises, because during post-production mixing, compressors are usually used to amplify the quieter parts of the vocals. At this time, these noises will also be amplified, ultimately causing the vocals to be drowned by the noise.

Although today's AI noise reduction tools are very powerful, they still cannot perfectly remove all noise, and the processing often sacrifices vocal details. So the best method is: try to reduce noise sources before recording.

πŸ‘‰ Tip:

  • Turn off all unnecessary electrical appliances before recording.

  • Print the lyrics on a tablet or phone to reduce the sound of rustling paper.

  • If your room is near a road, try recording at times when traffic is less.

  • Adjust the microphone direction to avoid noise sources


2. Reflections: The less echo, the better the quality

Reflections are what we commonly call reverb or echo.

Ideally, the microphone should only capture the 'direct sound' coming directly from the mouth, rather than the 'reflected sound' bouncing off walls and furniture.

Excessive reflections can cause:

  • The vocals to become muddy and unclear

  • Difficulty in post-mixing, limiting the flexibility of effect adjustments

Some might say: 'But I like the natural echo of a room!'

The fact is β€” these effects can be freely added during mixing and production, and are more controllable; but if recorded directly, the flexibility of subsequent adjustments will be significantly reduced.

πŸ‘‰ Conclusion: Keep the recording as 'dry' as possible, the fewer reflections, the better.



3. Four keys to reducing reflections

Although reflections cannot be completely eliminated, we can try to minimize them:

(1) Distance is your friend

The closer you are to the wall, the more noticeable the reflections will be. This is because the path of sound waves bouncing back is shorter and doesn’t have enough time to attenuate. Professional sound engineers can even tell from the recording if you recorded against a wall, which is not the vocal effect you want.

πŸ‘‰ When recording, try to keep at least 50 cm of distance from the wall.

(2) The choice of material is crucial

Try to imagine, which room in your home usually has the most echo?

The answer is the bathroom. Because the walls in the bathroom are often hard, smooth, and flush, they are prone to generating echoes.

The rooms most suitable for recording are usually bedrooms because there are many soft and irregular surfaces in bedrooms, such as: wardrobes, mattresses, curtains, bookshelves

πŸ‘‰ Try to have your microphone facing these directions for recording, rather than bare walls

(3) The magic of air gap

Keep sound-absorbing materials slightly away from the wall, rather than directly attaching them. This way, the sound needs to pass through multiple mediums: 'air β†’ sound-absorbing material β†’ air gap β†’ wall', which can significantly enhance the attenuation effect.

(4) Make the most of the microphone's directional characteristics

When recording in a room, we commonly use 'directional microphones', which are most sensitive to sounds from the 'front'. Therefore, we only need to prioritize handling the reflections in front of the microphone (which is behind the singer).


4. Transform your room into a professional recording studio: achieving the best effect with minimal resources

Wanting to have a professional recording environment at home doesn’t necessarily require spending a lot of money on expensive equipment. In fact, by making good use of the existing space and furniture, you can greatly enhance recording quality. Here are a few steps to teach you how to turn a room into a professional recording studio at the lowest cost.

(1) Choose the right room

Select a room in your home with the most soft furniture and the least hard walls, usually the bedroom is the best choice.

(2) The placement of the microphone

  • Avoid being too close to the wall: being too close to the wall will produce noticeable reflections.

  • Avoid the center of the room: the center easily produces standing waves, causing certain frequencies to resonate excessively.

  • Face the longer side of the room: allowing sound more distance to attenuate.

  • Face soft or irregular surfaces: such as beds, curtains, or bookshelves, can effectively reduce reflections.

(3) Make good use of sound-absorbing materials

  • Mattresses or quilts: are the most convenient sound-absorbing materials. Place them behind you and the microphone, maintaining some distance, and avoid directly sticking to the wall, preserve some 'air gap' to enhance the sound-absorbing effect.

  • Carpets or yoga mats: place them under the microphone stand to absorb sounds reflected from the floor.

  • Wardrobes and clothes: open wardrobe doors during recording to avoid creating a smooth reflective surface, while using clothes to absorb excessive reflections.

  • Fabrics and curtains: hang clothes, towels, or curtains on empty walls and draw the curtains to increase the ratio of soft surfaces.

By following the methods above, your room can transform into a space that rivals a professional recording studio!


πŸ‘† Recommended microphone placement


5. Common Mistakes

❌ Recording in a closet β†’ Although there are soft clothes, the distance is too close, making the sound muffled and unnatural.

❌ Recording under a blanket β†’ Similarly makes the vocals sound narrow.

❌ Covering with thin acoustic foam β†’ These materials usually only absorb high frequencies, low frequencies continue to reflect, resulting in a worse outcome.

❌ Microphone Shields β†’ Common microphone shields on the market are usually too close and incorrectly positioned; directional microphones primarily need sound absorption in front (behind the singer), not behind the microphone.

πŸ‘† All of the above are not recommended recording methods ❌


Conclusion: Clean recording is the foundation of good work

The success of recording not only depends on expensive equipment but also requires a good environment and the right concepts to complement each other.

Remember these three core principles:

  • The less noise, the better β€” control environmental noise from the source

  • The fewer reflections, the better β€” create a clean recording environment

  • Make good use of existing resources β€” you can turn current items into your assistants

By mastering these principles, you can record clean, professional-sounding vocals at home!

Owen Chiang Mixing Studio

Copyright Β© 2025 Owen Chiang. All rights reserved.
Content may not be copied or reproduced without permission.

Contact Me

owen841130@gmail.com

Owen Chiang Mixing Studio

Copyright Β© 2025 Owen Chiang. All rights reserved.
Content may not be copied or reproduced without permission.

Contact Me

owen841130@gmail.com

Owen Chiang Mixing Studio

Copyright Β© 2025 Owen Chiang. All rights reserved.
Content may not be copied or reproduced without permission.

Contact Me

owen841130@gmail.com

Owen Chiang Mixing Studio

Copyright Β© 2025 Owen Chiang. All rights reserved.
Content may not be copied or reproduced without permission.

Contact Me

owen841130@gmail.com

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